Weekly Volcano cover story Jan. 15, 2015
Ron Hinson in front of one of his paintings. Photo courtesy the artist |
One of the South Sound’s greatest
living artists has at long last been given some of the recognition he deserves.
Ron Hinson is revered by his fellow artists but has never before been
recognized as he should have been by the art establishment. Now South Puget
Sound Community College and Tacoma Community College, have acquired Hinson
paintings that will be permanently displayed in various locations on their
campuses.
Ron Hinson in front of one of his paintings. Photo courtesy the artist |
Hinson, now 80 years old and in
failing health, invited art professionals to an open house studio-closing event
and offered to give away his painted constructions. Gallery directors Nathan
Barnes from SPSCC and Jennifer Olson-Rudenko from TCC offered modest donations
for the paintings they chose — four of his painted constructions for TCC and
nine works including a large triptych and eight of his painted constructions.
Three of his works have been
installed in the Percival Dining Room in the Culinary Arts Center/ Student
Union Building at SPSCC. “That entire building, like much of campus, went
through an extensive remodel last year,” Barnes said. An art purchase call had
already gone out and the three pieces were selected and purchased for $3,000.
In addition to the pieces purchased by SPSCC, Hinson donated other painted
constructions. The other pieces will be hung around campus in buildings such as
the new library.
The four works donated to TCC have
been installed in the Harned Center. Hinson’s paintings have been included in
numerous shows in the TCC art gallery, and the college had previously purchased
one of his painted constructions that now hangs in the entrance to the Art
Department. As TCC spokesperson Rachel Payne put it, “The Harned Center
interior just got a whopping dose of color.”
Ron Hinson's paintings in the dining room at South Puget Sound Community College. Photo courtesy SPSCC art gallery |
“’Cause it creates shapes that I don’t want,” explained Hinson. “I want no illusions; I just want it to be the way it is.”
Installation is a complex process —
sort of like putting together a 3D puzzle. Hanging the pieces at TCC took most
of the day. They hang from small wooden wedges called French cleats, a solution
suggested by a furniture-maker friend of Hinson and his wife June
Kerseg-Hinson.
“This is the most amazing thing I’ve
ever put together in my life!” Wellsbury told Hinson after they finished
installing the first piece in the conference room.
His constructions are
three-dimensional objects, but Hinson considers them paintings not sculptures
because the surfaces of the shapes are conceived as planes on which to apply
color. “The three-dimensionality makes possible shifts of relationships and
openness of structure. It also reinforces the objectness of the painting rather
than illusions on the surface,” he wrote in his artist statement.
They are sometimes based on things
in the real world or even on historical personages or events (I own a piece of
his that is his take on Jacque Louis David’s “Death of Marat”). Sometimes descriptive titles are added, but
for the most part they are untitled. He encourages viewers not to seek
representational interpretations.
Barnes said, “Ron's work is visually
striking and formally sophisticated. Simply put, his work is very good. But I
think what's important here is that Ron ultimately chose to live in Olympia.
And he has spent 30 plus years here if I'm not mistaken. He's an important part
of the arts community. And even closer to home, Ron was an instructor in
SPSCC's art department from 1989-2000. In this regards, SPSCC feels a strong
sense of pride. And it's an honor to bring many of Ron's most ambitious works
back to campus where the community can continue to benefit from his artistic
contributions for years to come. The entire process of acquiring Ron's work was
personally exhilarating for me because I got to see the community come together
around the future of his work in a way that doesn't often materialize.”
Hinson said, “I offered the painted
construction as a gift to those interested in my artwork. My gallery
director friends at TCC and SPSCC asked the Foundations at each college to
accept as many of the painted constructions as they could into their permanent
collections to be displayed in campus buildings. Both TCC and SPSCC have
generously paid a modest monetary gift to me as a gesture of appreciation for
my donation. I have deep gratitude to each college for making it possible
for my artwork to be continuously on view to the public on their campuses.”
He said he will continue making art,
“but not painted constructions,” when his health improves.
No comments:
Post a Comment