from left: Robert McConkey, Brian Jansen, David Wright, Ellen Peters and Gabriel McClelland |
I attended a rehearsal for The Weir at Tacoma Little Theatre. The set was not yet in place. They rehearsed on the set for Steel Magnolias, and one of the actors, David Wright, was still on book because he was a late replacement for another actor in the role of Jack – who has more lines than any other actor in the play. Despite these difficulties in seeing what the play may look like with full set and lighting, I was mightily impressed.
The five-person cast and Pug
Bujeaud’s direction were exemplary. Wright was particularly impressive. His
Irish brogue was great and he brought the crotchety old Jack to life with
excellent timing and expression. He made it seem easy, probably because he is a
veteran actor performed in the same play years ago and recently did a similar
play by the same author at Harlequin Productions in Olympia.
The
Weir was written by the great Irish playwright Coner McPherson. It won the Laurence
Olivier Award for Best New Play of 1997-98 and was voted one of the 100 most
significant plays of the 20th Century in a poll conducted by the Royal National
Theatre, London. McPherson won the Critics' Circle Award as the most promising
playwright that year.
This play is masterfully written,
quiet, funny in places, spooky and emotionally draining. It is the story of four
working class men who hang out in a small town Irish pub, drink excessively and
talk a lot. An outsider joins their ranks: a woman named Valerie (Ellen Peters)
who has recently arrived from Dublin. Her presence changes the dynamics of the
four old friends who are accustomed to kidding around with each other. Although
competition for her affection is never spoken of directly, the underlying
sexual tension is undeniable.
The men take turns telling stories,
which become increasingly spooky with talk of ghosts and fairies, and then
Valerie tells her own story – a heartbreaking story that takes unexpected
turns. Until this point in the play Peters plays Valerie as a polite and
circumspect woman who remains mostly in the background, but as her story
unfolds Peters’ depiction of emotion becomes overpowering.
Performing in this show are some of Puget Sound’s most
talented actors. In addition to Peters as Valerie and Wright as Jack, the cast
is rounded out with Gabriel McClelland as Finbar, a married businessman who
spends most of the evening being protective of Valerie and mad at his friends; Brian
Jansen, who plays Jim as a haunted man; and Robert McConkey, who is excellent in
the role of the amiable barkeep, Brendan. All of them play their parts with
such realism that you feel you are in the bar with them.
This show is recommended for ages 13 and older. It contains strong language and some mature
content. I found it to be captivating and haunting, and despite the strained
emotions somehow comforting.
Tickets are $12.00 and may be
purchased online at www.tacomalittletheatre.com, or by calling our Box Office
at (253) 272-2281.
WHEN:
7:30 p.m. Friday and Saturday and 2:00 p.m. Sunday through Nov. 17
WHERE: Tacoma Little Theatre, 210 N
“I” St., Tacoma
TICKETS:
$12
INFORMATION: 253-272-2281, www.tacomalittletheatre.comt.
Also see Michael Dresdner's review.
And see Michael's review of
See Michael Dresdner's review of Pride and Prejudice at Lakewood Playhouse.
Also see Michael Dresdner's review.
And see Michael's review of
See Michael Dresdner's review of Pride and Prejudice at Lakewood Playhouse.
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