Gary Lappier’s Photography at Fulcrum
The Weekly Volcano, April 3, 2014
There’s something otherworldly about Gary Lappier’s photography
show, Sent From Somewhere Else, at
Fulcrum Gallery. That does not mean the pictures are of fantasy scenes or that
they’re surrealistic or dreamily atmospheric. They are simple, straight
forward, black and white shots of the B&I Market on South Tacoma Way. What
is strange, sad, and mysterious about these photographs is that there are no
people, no movement, no signs of life in these 23 photographs of a place that
is normally bustling with activity.
What’s pictured here is like a somewhat sleazy county fair plucked
out of time and set down in another dimension. Everything is clean and quiet
and lighted as with sunshine after a storm. And although there are no people
there are signs that once were people here. Maybe it’s the day after the
rapture.
Lappier says the photographs were taken over a period of several
months, not with a digital camera but with a 35 millimeter camera and developed
in a darkroom. They are not available digitally, and you can’t buy prints; each
photo is a unique work of art.
In a wall statement Lappier speaks of “beauty from the fringes,”
and he speaks of freezing a moment “for endless viewing.”
The nearest thing to a human presence are the four manikins in one
shot, all wearing black dresses, and another manikin in another photo, female
and bald-headed with what looks like cuts on her head, standing in front of a
display case for hats. And there is an empty store filled with boots. In
another photo a carnival wagon stands in a corner of an empty store with a “Wet
Paint” cone. And in another there are vacated diner booths in front of a still
merry-go-round.
Balloons and children’s play areas and funky signs abound. It’s
like the whole place is geared toward joyful play, but the whole place has
died.
B&I is not what it once was. Still open to the public, it
stands like a monument to a bygone era, and Lappier’s photographs freeze that
era in time. They are beautifully composed and employ strong black and white
contrasts.
In the back room there is a sad memorial to Ivan the gorilla, who
was caged in the market for 27 years. As with the missing people, Ivan is
depicted by things associated with him, but he is no longer there.
Lappier writes of being conflicted in his feelings about the
market. His photographs speak of that conflict. They reside somewhere between
sadness and kitsch.
This weekend is the last chance to catch the show.
[Fulcrum Gallery, Sent From Somewhere Else, noon to 6 p.m.
Friday, April 4 and by appointment, 1308 Martin Luther King Jr. Way, Tacoma,
253.250.0520]
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