Published in The News Tribune, Nov. 7. 2014
Brent Griffith as Tony Wendice, Jacob Tice as Max Halliday, Deya Ozburn as Margot Wendice |
Of course there is a murder in “Dial ‘M’ for Murder,”
but it is not a murder mystery in the sense of a whodunit. The audience sees
the murder take place, so there is no mystery about who did it; although there
is definitely a surprise twist to the crime. The mystery is in whether or not
the killer will be caught and if so how — and what most thoroughly engages the
audience are the complex relationships between the five characters in the
story.
Margot Wendice (Deya Ozburn) is caught up in
less-than-satisfactory marriage to Tony Wendice (Brent Griffith) and is having
an affair with the mystery writer Max Halliday (Jacob Tice). Tony hires Captain
Lesgate (Christopher Rocco) to murder someone and something goes wrong during
the execution of the crime. There is an unexpected twist at this point, rather
early in the plot, and even though the audience is in on it I will not give it
away. Inspector Hubbard (Robert Geller) is called in to catch the killer. It
appears at first to be a cut-and-dry case, but Inspector Hubbard is relentless.
He trusts no one and suspects everyone.
The story is set in England in the 1950s. The set by
Blake R. York (who also does a great job of choreographing a big fight scene)
is terrific, as are the period costumes by resident costume designer Michele
Graves and the lighting by Pavlina Morris. Particularly effective are dramatic
but subtle lighting effects from behind the set when doors are opened, which is
absolutely astounding in a night scene when Margot opens the bedroom door and
is backlit in a ghostly white nightgown. The soft glow of the fireplace and the
perfect timing of light changes when switches are switched are also effective.
Credit both Morris and director Pug Bujeaud for this.
The British accents (dialect coach Wade Hicks) are
handled beautifully with just enough of an accent on the part of all the actors
to be realistic without being a distraction.
All of the actors enunciate and project clearly,
something that is sorely lacking in some plays. Neither Max nor Tony is a
particularly likeable character, and Tice and Griffith nail their slightly
irritating personality traits well. Rocco plays Captain Lesgate as sleazy but
not the brightest bulb on the tree, and Geller is believable and likeable while
taciturn and relentlessly methodical as the police inspector — more Columbo
than Sherlock Holmes.
As for Ozburn, every role I have seen her in has been outstanding,
and this may be one of her best. In the opening scene she is nervous and
restrained in her relationship with Max, and I thought her tenseness added
depth to her character. Her acting was nuanced with barely contained intensity
until the big fight scene, in which she threw caution to the wind. Seldom have
I seen a more convincing fight scene. She and her attacker had me holding my
breath.
I could quibble with the length of some of the scene
changes and with a few bits with props — especially the constant lighting of
cigarettes, which were then snuffed out after only one or two puffs. But these distractions
are minor.
One other thing that bothered me was the placement of
a space heater that was brought in for the second act. From my seat in the far
left section I could not see it and therefore was confused when Tony said he
was going to switch on the heat and I thought he meant the fireplace, which
would have to be lighted not switched on. That may seem minor, but it disrupted
my concentration and I can’t help but wonder if it bothered others in the
audience.
“Dial ‘M’ for Murder,” is a classic thriller produced,
acted and directed with skill and intelligence. I highly recommend it. Seats
were sold out opening night, so I suggest getting tickets immediately. This is
the play’s final weekend.
WHAT:
Dial M for Murder
WHEN:
7:30 p.m. Friday and Saturday and 2:00 p.m. Sunday through Nov. 9
WHERE:
Tacoma Little Theatre, 210 N “I” St., Tacoma
TICKETS:
$22-$15
INFORMATION:
253-272-2281, www.tacomalittletheatre.com.
No comments:
Post a Comment