There will be an artist’s reception in the lobby Sunday, Dec. 11 from noon to 1 p.m. Learn more about Knold’s art here.
From a written statement by Becky Knold:
"Inspired by artists before me such as Anselm Kiefer, Guy Anderson, Morris Graves, and Theaster Gates, who have used it to great effect, I began experimenting. I found a tar-derived product called roof sealant used by roofers to protect against moisture. It can be thinly applied with a brush or thickly with a trowel. At the same time, I came across another product that was bound to change my work – a deliciously smooth and absorbent black paper, sold in big, wide rolls –“roofing felt.” a.k.a. tar paper. When unrolled, it drapes gracefully and can be hung on the wall as a scroll, frameless. Perfect for the large scale, experimental paintings I wanted to try. . . .
“As for the motivation and theme of these new paintings, they are also consistent with some of my past work. The motivation came, in part, from an inescapable feeling of the increasing“darkness” of our times (which could be discussed at length). However, I need to add that this perceived condition has also served to reinforce and deepen my desire to focus on and create paintings that affirm the existence of “light” – an affirmation that will add to our sense of well-being and optimism. By overlaying a symbol of hope and beauty (the circle, in golden colors) on top of a starkly dark background, I want to show two sides of the same reality – the dark and the light, the ugly and the beautiful as they exist simultaneously, with the lightness symbolically transcending the darkness. I paint because I love the materials and processes of making art, but when these things can be married to the message – the dualities – inherent in our reality, well, I love it even more!”
With a few rare exceptions such as this review, I will not
continue posting art and theater reviews on this blog. Going forward, my
reviews will be posted only on OLY ARTS .
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