Scars and Stripes at the Spaceworks Gallery
Published in the Weekly Volcano, March 30, 2017
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| Installation shot showing one wall of the Scars and Stripes exhibition, photo courtesy Spaceworks Tacoma. |
Little is known about the United States’ involvement in Cambodia during
the Vietnam War or about the aftermath — the refugees, the deportees, the
Americans in exile. The exhibition Scars
and Stripes at Spaceworks Gallery examines all of
that through photographs, paintings, video and performance art (readers
may recall the preview article in the Mach 9 Weekly Volcano).
Seldom have I seen so much information presented in so many inventive
ways in so little space. This exhibition, curated by Silong Chhun, founder of Red Scarf
Revolution, features
photos and text from Khmer
American: Naga Sheds Its Skin, an exhibition created by
the Khmer American community and Wing Luke Museum of the Asian
Pacific American Experience, and artworks by Raisa Nosova that explore
the impact of war, genocide,
resettlement, and deportation of Cambodian Americans then and now.
Museum-like, the exhibition is
arranged in five timeline sections: Peace, War X Genocide, Refugee Camps,
Resettlement, and Deportation.
In the “Peace” section we see both
written and photographic histories of Cambodia before the war, and a
wonderfully delicate papercut picture by Lauren Iida of a shoe vendor. She is
on her knees, and shoes are laid out on the ground in front of her. Everything
is in tones of white and gray.
In the “War X Genocide” area we see
two artworks. One is “The Khmer Rouge,” a two-art painting in embroidery,
paint, fabric and thread is on canvas by Anida You Ali, which presents delicate
images of barbed wire. A companion piece is “Behind the Fence,” an oil painting
by Raisa Nosova of a woman behind a barbed wire fence in bold strokes of blue,
ochre and pink on a black background. The woman is as see-through as the fence,
as if she has become the fence or the fence is now her. The “Refugee Camps”
section has photos of overcrowding among Cambodian children and families in
Camp Pendleton in San Diego and of refugees in the Philippine refugee camp in
Bataan.
The “Resettlement” section asks the
question, “What would you do if you were plucked down in the middle of a
strange land with strange people and no knowledge of the language or customs or
how to survive?” Evidence of answers to that question is given in the form of
eye-opening photographs and newspaper clippings.
The final
section, “Deportation,” examines through art and video the plight of Cambodians
who escaped to the United States when they were young children and who as
teenagers were deported back to Cambodia, a land foreign to them, usually
because of misdemeanors. In this section, we see Stuart Isett’s photo series
“The Lost Boyz of Cambodia” and the video “Studio Revolt,” a series of three
short films, two with Cambodian teens who consider themselves Exiled Americans
talking about their lives, and a third a hard-hitting spoken poem. Also in this
section are another painting by Nosova and
another papercut piece by Iida.
This show
documents a set of histories many of us may not recognize. It’s time we did.
Scars and Stripes, 1-5 p.m., Monday-Friday and 1-9 p.m. Third
Thursday, through April 20, Spaceworks Gallery, 950 Pacific Ave., Tacoma.
