photos courtesy 950 Gallery
Whichever way the wind blows
By Alec Clayton
Liminal at 950 Gallery is a fully immersive art installation by
Tyler Budge, who
teaches sculpture at University of Washington
Tacoma. The term “liminal” is defined as the space between what is and what’s
yet to come. Budge’s installation explores these spaces both literally
(physically) and metaphorically.
“Our paths are filled with liminal moments — doorways/thresholds
that transport us from a structured understanding of where and who we are to an
undefined space,” Budge writes.
This multi-media installation explores these
transient moments. The gallery is a house under construction with two-by-four
studs for walls and openings for windows and doors. Open windows — both within
the construction and the actual windows of the gallery — invite visitors to
look out, in or through. Visually, it is abstract art, like a three-dimensional
Mondrian painting. Metaphorically, it represents the uncomfortableness of not
knowing exactly where you are or which way to go. There are tiny red-orange
windsocks everywhere being blown in one direction or another by fans controlled
my motion sensors. Standing in the interior space looking at the windsocks, I
was reminded of the line from Dylan’s “Subterranean Homesick Blues,” “It don’t
take a weatherman to know which way the wind blows.”
There are many birds: porcelain birds perched
on shelves, a video of birds on a wire, delicate line drawings of birds in
complementary colors drawn directly on the wall. Some of the studs are both
geometric and organic, straight along one edge and curving sensuously on the
opposite edge, and many of the stud edges are lined with simulated moss.
There is a very large moose head mounted on one
wall with its shadow painted in a beautiful cobalt blue — the same blue
repeated across the gallery where flocks of birds perch on shelves. And
finally, mounted to a window are 27 photographs of houses with attached
windsocks.
“The space is found under construction, divided
into smaller rooms by classic wood house framing construction. One is
confronted with familiar structures, while maneuvering thru framed doorways and
glancing thru framed windows,” Bulge writes. “Expectations are curbed by
contradiction — the outside is structured, predetermined, confined and orderly,
but the interiors are vast, open vistas — serene yet placeless. The interior
spaces speak of possibility yet provide no destination… One is left
directionless.”
Visitors to the gallery are invited to feel the
unsettling lack of direction, and perhaps relate it to the hubbub of modern
life and their own place in it.
Liminal,
1-5 p.m. Thursdays (until 9 p.m. Third Thursday), or by appointment, through Dec.
19, 950 Gallery, 950 Pacific Ave. Suite 205, Tacoma, 253.627.2175,
www.spaceworkstacoma.com/gallery.
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