Inspecting Carol at Lakewood Playhouse
By
Alec Clayton
from left: Dana Galagan as Dorothy, Tyler Petty as Bart, Tim Hoban as Phil, Brittany Griffins as M.J., Jed Slaughter as Wayne, photo by Tim Johnson
Plays
about incompetent theater companies putting on bad plays are so common as to be
practically a genre of their own. Some are as bad as the absurd performances
they satirize, but there have been a few on stage and screen that are
outstanding. The classics of this type are Noises
Off and the mockumentary film Waiting
for Guffman. The Puget Sound region has its own home-grown entry in the
genre, Inspecting Carol by Daniel
Sullivan and the Seattle Repertory Company, which premiered at the Rep in 1991.
Now it comes to Lakewood Playhouse with an outstanding ensemble cast led by Dennis
Rolly, Jed Slaughter, Brittany Griffins, Mark Peterson and Shelleigh-Mairi
Ferguson, directed by Jen York.
The
Soapbox Playhouse has put on the same boring production of A Christmas Carol year after boring year. But this year things go
even more wildly awry than usual. The company is broke, the kid playing Tiny
Tim (Gunnar Ray as Luther/Tim) is growing up and is way too big for the part,
the actor playing Scrooge (Rolly as Larry/Scrooge) wants to do it in Spanish,
and the actor play Bob Cratchit (Tim Hoban as Phil/Bob) has had a one-time
fling with the company founder and artistic director, Zorah Bloch (Steffanie
Foster) who is now trying to seduce the new guy, Wayne Wellacre (Slaughter).
And for reasons that should make no sense to any of them, the entire company
thinks Wayne is the inspector from the National Endowment spying on them
incognito as a would-be actor — which is apparently why Zorah is trying so hard
to seduce him.
Like
many a farce, it starts off rather slowly. Conversations between M.J. the stage
manager (Griffins) and Karen (Ferguson), who handles the dwindling-to-non-existent
finances, are only mildly funny but are needed to set the stage for the mayhem to
follow.
The
comedy really kicks into high hear when Slaughter first appears on the scene as
a confused would-be actor who bursts into an impromptu monologue: “Now is the
winter of our discontent …” from Richard
III. This kind of comedy is
something new to Slaughter, and it seems to be a role he was born to play.
Rolly
is outstanding as the proud trouble maker Larry, who insists on changing
everything and somehow gets away with it (up until but not including doing the
play in Spanish). Rolly has been acting since the 1970s and has proven himself
to be equally at ease with the silliest of comedies to the most demanding of
tragedies, performing in more Shakespeare plays with Harlequin and the old
Washington Shakespeare Festival than, probably, anyone. His range of emotions expressed
in this performance is amazing. He assumes the character so completely that
even when he’s just standing on the side while other actors are interacting, he
is thoroughly being Larry/Scrooge.
Also
outstanding in this play are Bloch (hilarious in the seduction scene with
Slaughter), Griffins who frantically
tries to herd this company of misfits, and Peterson as the actor who hates
everything about the show he’s doing and can’t learn his lines — partly because
he was brought in at the last minute as a token black actor in Zorah’s new commitment
to multi-culturalism and partly because Larry keeps changing the script.
Blake
York has come up with a purposefully unremarkable scenic design that is perfect
for this play, and Stu Johnson has devised some crazy costumes — most notably
the costumes Wayne is forced to wear as the various ghosts, including one he
says makes him look like the ghost of Liberace.
For
a lighthearted evening of laughter, take in Lakewood Playhouse’s Christmas in springtime,
Inspecting Carol.
Inspecting Carol 8 p.m.
Friday-Saturday, 2 p.m. Sunday, through May 12, $26.00, $23.00 Military and seniors,
$20.00 students and educators, pay what you can Feb. 28 and March 6-7, Lakewood
Playhouse, 5729 Lakewood Towne Center Blvd. Lakewood, 253.588.0042, lakewoodplayhouse.org.
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