Photo: “Cathedral” mixed-media sculpture with headphones,
table and chair by Andy Behrle, courtesy 950 Gallery
The Light We Hear
Andy Behrle’s audio sculptures at 950 Gallery
by Alec Clayton
Published in the
Weekly Volcano, May 18, 2018
“Cathedral” mixed-media sculpture with headphones, table and chair by Andy Behrle, courtesy 950 Gallery |
I introduced Andy Behrle’s audio sculpture show The Light We Hear in this column last week
but did not see the show until after that column was printed. Now, after seeing
the show, I offer a more in-depth look at it.
Behrle, who lives near Yakama, seems
to be something of a scrounger who haunts flea markets and garage sales for old
radios and record players and cameras, refinishes them, guts them and turns
them into multi-media, interactive, music-making sculptures and installations
with modern technology. (The music in some pieces consists of various
electronic sounds unlike what many might expect of music.) Many of them include
film or video, particularly images of moving water, and each comes with
instructions for playing. Gallery manager Gabriel Brown says each one is
specific to a place.
A few examples:
“Cyclone-o-phone” mixed-media sculpture with headphones, table and chair by Andy Behrle, courtesy 950 Gallery |
“Cyclone-o-phone” is one of the most
beautiful pieces in the show. It is a radio-turntable in a highly polished
wooden cabinet. A hinged door opens to the inside where a turntable once sat,
but instead of the turntable there are chemical-lab beakers, flasks and test
tubes, and inside the largest flask is an active water spout or cyclone which
casts rainbow reflections.
“Nouveau” also resides in a beautiful old
wooden radio cabinet, this one from the 1940s, but instead of the interior
workings of the radio there is a video screen with footage from two cameras at
Lake Celilo on the Columbia River, one filming the movement of water on the
lake’s surface, and the other filming the sky as seen from under the water. The
audio portion is the sound of the water.
Some
get quite complicated. A record player called “Magnavox Astrum” contains a
modern sound board visitors can play with to adjust record speed and choose
between classic or electronic modes of play and change the rhythm. This one was
a lot of fun.
Not all the pieces are in old
radios, record players or cameras. There is one quite beautiful and meditative
piece involving sound and moving images in a modern flat screen television, and
Behrle’s most recent piece is a video projection on a wall that looks like a
modern mandala but is, in fact, made up of images of the sun seen at different
wavelengths.
I confess that the science and technology
involved in many of these works are beyond my comprehension, and I was not
overwhelmed with the beauty of the audio aspects, but I loved the visual
elements. The water images are mesmerizing. I appreciate the nostalgic element
and the classic design of the old radios and record players. Like me, I suspect
that each viewer will find certain parts of this show more interesting than
others; but all, I’m sure, will find much to like.
950 Gallery is the renamed
Spaceworks Gallery on Pacific Avenue (entrance on South 11th Street).
The Light We Hear at 950 Gallery,
1-5 p.m. Thursdays (until 9 p.m. Third Thursday), or by appointment, through
June 21, reception 5-9 p.m., May 17, 950 Pacific Ave.
Suite 205, Tacoma, 253-627-2175,
www.spaceworkstacoma.com/gallery.
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