Katlyn Hubner at Feast Art Center
by Alec Clayton
Published in the Weekly Volcano, Dec. 14, 2017
“Undertow” painting by Kate Hubner, courtesy Feast Art Center
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In an artist’s statement, painter Kate Huber
quotes a dictionary definition of the words in the title of her show at Feast
Art Center. “Codependent : a codependent person is one who has let another
person's behavior affect him or her, and who is obsessed with controlling that
person's behavior. Menagerie: A collection of wild animals kept in captivity
for exhibition.”
She goes on to define the state of mind depicted
by the paintings. “As I have been trying to find myself again for the first
time in years, I have been exploring my bad habits of how toxic it can be to
make someone else’s ‘problems’ my own. The pretty pain of being engulfed by a
cunning and quiet lack of boundaries. That eventually, you begin to lose or
confuse your own thoughts, becoming entangled with another. A self-imposed
identity crisis.”
There are only five paintings in this
exhibition, all in the five-by-six-foot range. If I might go out on a limb with
a potentially ludicrous statement, these five paintings might be the best
figure paintings I have ever seen outside a major museum, the best by a local
or regional artist. Each painting is of a naked human figure or group of
figures. Some of the figures are realistic, while some are of ambiguous gender
and others devolve into unrecognizable, animal-like shapes —or grow out of such
shapes or are wrestling with them. The colors are sizzling with hot reds, pinks
and purples, contrasting with a variety of blue
tones in the cerulean-teal family. There are harsh and uncomfortable angles of
bodies and limbs. Arms ending in clutching hands appear out of unrecognizable
animal forms. In many instances, background shapes created by the spaces where
body parts meet become positive shapes. The artist explains, “In hopes of
making complicated compositions with the form, I want the lines and the
triangles of the limbs and reflections to bring a controlled anxiety to being.
When you can't tell just how many people are involved; Using colors to bring a
slight euphoria to the dark matter.”
Hubner’s painting style is like a marriage of
the realism of Phillip Pearlstein and the lushness of Wayne Thibeaud, with the
drama of Alfred Leslie or Jack Beal — that’s like a catalog of the best modern
figure painters all combined in the work of one woman from Seattle.
Kate Hubner’s Codependent Menageries, noon to 4 p.m. Saturday, 9 a.m. to
1 p.m. Sunday, and by appointment, through Jan. 7, Feast Arts Center, 1402 S.
11th St., Tacoma, www.feastarts.com
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