Musings after the Puyallup Book Festival
At Local Authors Day at the Puyallup
Book Festival people kept asking me what kind of books I write. God, I hate
that question! Even though, if the table were turned, that’s exactly what I
would ask. As a matter of fact, I did ask that of a lot of the other authors
who were tabling. They wrote Sci-fi, horror, political intrigue, and so forth.
One of them wrote Jane Austin Fan Fiction. I guess that’s a genre now.
The thing is, if you say you write
sci-fi or mysteries everybody knows what kind of books you write.
I write literary fiction, and nobody
knows what the hell that is. Hell fire, even the people who write it don’t know
what the hell that is.
Marketing experts say that if you want
to sell your work you need to be able to say in a few words just what it is you’re
trying to sell. You’ve got to be able to give a synopsis as an elevator speech.
I’m not very good at that. Sometimes I say I write contemporary fiction,
sometimes family sagas. Yesterday I told someone I write situational fiction. I
also sometimes try giving examples of other writers who write similar types of
books. The writer I refer to most often is Pat Conroy. We tell similar types of
stories in similar styles. I was very flattered when reviewer Linda Linguvic
wrote, “Move over Pat Conroy. There’s a new Southern writer in town” and
followed up with, “Frankly, I loved this book and
actually found it better than Pat Conroy's latest.” Thank you, Linda.
(Interestingly, she had no interest in reviewing any of my later books; oh
well, you can’t please all of the people all of the time.)
Another writer whose books might serve
as a good example of the kind of books I write is Richard Russo. I aspire to
his level of comic writing, but I’m not all about comedy by any means. I write
about love and death and sexual harassment and racism. It’s deadly serious, but
I do try to inject a dose of humor as well.
In addition to Conroy, reviewers have
compared me to Eudora Welty, William Faulkner and Carl Hiaasen, and my books
have been called Southern Gothic. I think those reviewers were really reaching
to find some way to define my work; really, the only thing those writers have
in common is that they are Southerners (although Hiaasen’s Miami is more New
York/Cuban than Southern).
When it comes down to it, I guess what I
should tell people when they ask what kind of books I write is that I’m just a
story teller. Old timers sit around and tell tales about when they were young,
about all the crazy characters they met or were. That’s what I do; I just tell
tales.
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