Animal Fire Theatre’s annual Shakespeare in the Park
Published in the Weekly Volcano, Aug. 20, 2015
from Left: Allison Zoe Schneider, Dennis Worrell, Kate Ayers (atop the
tower), Brian
Jansen, Brian Hatcher. Photo by Kate Arvin.
|
This
summer’s Shakespeare in the Park by Animal Fire Theatre tackles one of the
bard’s lesser known plays, King John.
It is a
difficult play to follow, primarily perhaps, because it is little known. Since
plays such as Romeo and Juliet and Hamlet are so celebrated it is much
easier to understand them, but since fewer people know who Philip the Bastard
and Lady Blanch and Lady Constance are, King John can be difficult to
understand. That’s why a synopsis is printed in the program and why director
Scott Douglas encouraged the audience to study the synopsis before the play starts.
Added to
that difficulty are the usual distractions of outdoor theater: passing trucks
and motorcycles, airplanes overhead, and the night I attended a dog off leash
who got excited and barked a couple of times while watching the play, which was
distracting but sort of funny, but then tried to join in a sword fight on stage,
which was not funny. Please, people, think twice about bringing your dog; and
if you do please leash them during the performance.
Yet one
other difficulty: one of the actors, Pug Bujeaud, got sick and was replaced at
the last minute by Jen Ryles, founder of Olympia Family Theater, who had to be
on book but did a commendable job of acting despite being hard to hear. Some of
the other actors were also hard to hear, exacerbated because the slope of the
ground meant much of the audience was sitting quite a distance from the stage
area.
Even with
these problems, it is an entertaining play. Typical of Shakespeare, it combines
history, tragedy and comedy and features larger-than-life characters. The
amount of bloodshed is considerably less than in many of Shakespeare’s
tragedies and history plays.
It begins when an ambassador from
France (David Shoffner) demands that English King John (Brian Hatcher) renounce
his throne in favor of Arthur, whom the French King, Philip (Dennis Worrell)
believes to be the rightful heir to the throne. War, intrigue, religious disputes and a marriage between Lewis (Maddox
Pratt), the son of King Philip, and King John’s niece, Blanche (J Benway) ensue
— all of which leads eventually to the poisoning of King John.
Hatcher is a
strong presence as King John, and Worrell is strong and fierce as King Philip.
The clashes between these two are like a standoff between two immovable
objects, as are the hot war of words between Elinor of Aquitaine (Ryle) and
Lady Constance (Christine Goode), mother of Arthur, who is fearless and strong
and backs down from no one.
One of the
most engaging characters is Philip (Brian Wayne Jansen), the bastard son of
Richard the Lionhearted, not to be confused with Philip the king of France. I
had a hard time keeping track of how Philip the Bastard fit in with the various
warring factions. He seemed at times to be a go-between or reconciler and at
other times a warrior for King John, but mostly he seemed to be looking out for
his own self-interests. Though it was difficult to understand his part in the
story, Jansen’s acting was great to watch. So was Kate Ayers'. She provided a
lot of comedy in the roles of Lord Pembroke and First Citizen, Warden of
Angiers, Brittany.
There are a
lot of gender busting roles in this production, including Allison Zoe Schneider,
who was a good young Arthur and doubled as Prince Henry and as a messenger, and
Maddox Pratt, who was outstanding as King Philip’s son, Lewis.
By-the-way,
Richard the Lion Hearted is the same Richard who was prominent in the Robin
Hood legends, but Arthur is not the Arthur from Camelot. Shakespeare was not concerned
with historical accuracy.
King John, 6: 30 p.m., Thursdays through Sundays through Aug. 23, Priest Point
Park, Olympia
(park in the lot by the playground on the west side of the park and walk into
the meadow behind the bathrooms). Free, donations
accepted.
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