The Weekly Volcano, June 27, 2013
"Mates" by Cecilia Blomberg |
Two
tapestry shows opened simultaneously in Tacoma. Small Tapestry International 3: Outside the Line at Handforth
Gallery in the downtown Tacoma Library is a show of international tapestry
artists, which will be on display until Aug. 3. TAPS Contained at Brick House Gallery features the works of local
and regional tapestry artists.
I
visited the Brick House and will try to get to the Handforth at some point
during the run of the show.
There
is noth
ing flashy or startling in the Brick House show, but it is a nice
showcase of members of Tapestry Artists of Puget Sound featuring such local and
area artists as Mary Lane, Julie Rapinoe, Joyce Hayes, Inge Norgaard, Margo
MacDonald, Ellen Ramsey, Cecilia Blomberg and others.
I
was particularly taken with two pieces by Blomberg. “Birch Rolls” consists of nine almost
floor-to-ceiling strips of white fabric with black bands woven into them to
mimic the look of a stand of birch trees. They are hung in front of a window
and near a ceiling fan, and they gently move in the wind from the fan.
Blomberg’s
“Mates” would be my choice for best in show if there was a prize. It appears to
be a strong abstract painting with references to water. Only upon closer
inspection do you see that it is not abstract at all but is clearly a picture
of a boat tied to a pier with rippling reflections in the water. It has the
effect of a photograph taken at such close range that you can’t see the whole
for the parts… and then the whole emerges. As an abstract configuration it has
strong contrasts and asymmetrical design.
I
also very much like Mary Lane’s “Untitled #40,” a pop-like image of a green
striped shirt standing upright as if hung on a line with some kind of sheet or
fence in front of it with a subtle tan and white checkerboard pattern. You get
the impression that there’s a boy in the shirt and he’s spying on you, but you
can’t see his face.
Norgaard’s
“Nesting #3” is a splash of brown lines like twigs tossed in the wind with a
background of lighter brown with an almost invisible diamond pattern.
Rapinoe
and Hayes are each showing groups of abstract patterns similar to Native
American basket-weave patterns that almost move optically. The works of both
are similar, the main difference being that Hayes’ colors are shimmering blue
and green tones and Rapinoe’s are more muted earth tones.
Another
piece that has a strong graphic appeal is Ramsey’s “Awakening 2012,” a large
banner-like wall hanging with black stitching that mimics sumi painting. It is
energetic and carries a lot of punch, but the flowery background patterns
detract and seem contrived.
If
you enjoy tapestry you should make an effort to see both shows. Call first for
the Brick House show because it is open by appointment only except for during
Art Mingle.
[Brick House Gallery, TAPS Contained, Third Thursday and by
appointment, 1123 South Fawcett St., 253.230.4880 or 253.627.0426.]
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